DeVotchKa’s ‘Night’ Finally Falls On Fans’ Ears

August 1, 2018

“Straight Shot,” the lead single from DeVotchKa’s forthcoming release This Night Falls Forever, takes both citizens of “Old Denver” and global fans of the pioneering Gypsy-Folk band “right back to the good times – before the paperwork got signed.” After years of soon-to-be-released announcements, the album finally arrives this August 24. “We have been extremely lucky in attracting so many great collaborations,” Nick Urata says. He admits, however, “with the benefit of hindsight, we now see that it took us away from finishing our album. We can only hope that the projects we have done will somehow find a way to influence our latest music.”

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Top Tunes Thursday: Khruangbin — The Universe Smiles Upon You

November 19, 2015

While I find the majority of instrumentals have a regional style, not always glaring, but almost always present. L.A. jazz, Delta Blues, the sample heavy style of production prevalent in the East coast, generally speaking there’s something you can grab on to. Khruangbin plays like a musical atlas, sending fiery frets to Japan, then Brazil, and back over to Africa. The eighth track, cheekily titled “The Man Who Took My Sunglasses,” almost creates the illusion of needing them. Blinding sun beams reflect off polished surfboards and sparkling fret boards, cutting through swirling cigarette smoke on its way. Four tracks earlier, guitarist Mark Speer cools the jets to a low roar, infusing in its exhaust at first a wiff of the Far East, then an utterly American crashing collapse of guitar, amp, and kit.

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Top Tunes Thursday: Fuzz — II

October 29, 2015

Ty Segal’s Fuzz looks to dustier paragons of noise like Sabbath, Wolfmother, The Hives and The Eagles of Death Metal and says “we’ll take it from here.” The sounds born within the mildewed and crawling horror swamp that is Segal’s musical brain can only be truly appreciated in the context of honestly curious rock exploration. When you’re talking about pushing the guitar to its structural and audial limits, about reaching to the very corners of our musical expectations and poking a finger over the line, Ty Segall is the only one we millennials can claim for our own. Like the artful goofballs of old (Bowie, Reed) Segall is relentlessly catapulting himself from project to project, with no love lost in between.

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Top Tunes Thursday: Denzel Curry — 32 Zel / Planet Shrooms

October 8, 2015

Two weeks ago, while I was researching the newest Little Simz record (review here) I came across a list of “rappers to watch for.” Little Simz was featured for her E.D.G.E EP and AGE 101 series, while a young Miami Rapper, Denzel Curry was featured for his debut album, Nostalgic 64. After inhaling the hallucinogenic trap flavorings of his debut, I was happy to find his new effort (which had not been released at the time of the record) had been out since June! Normally, on TTT I like to bring you my favorite release from the week, but this week, we’re taking some time for an excellent record that I missed. This article is an effort to make sure you don’t make the same mistake. The record, or “double-EP,” is 32 Zel / Planet Shrooms.

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Top Tunes Thursday: Big Grams — Self Titled

October 1, 2015

I’d like to see the “to do list” for this record. It must read something like: “1. Make awesome music. 2. See #1.” Yes, it’s simple, but it’s simply fun. If Big Grams set out to make music to dance/copulate to, I think they hit the nail on the head. Phantogram released their most recent record last year, and the last time OutKast put out new music, I was a Junior in highschool. (Wow, I’m old.) While there doesn’t appear to be any tour dates in Big Grams’ future, I guess you’ll just have to settle for playing this record on repeat.

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Top Tunes Thursday: Little Simz — A Curious Tale of Trials + Persons

September 24, 2015

Imagine you know someone who wants to be a world renowned rapper. Regardless of talent or ability, how many challenges lay ahead of this person? Find/compose beats, write verses, record said verses, produce record/mixtape/single, and somehow get that content out to the people, whether that be through radio, concerts, or some manner of digital dispersion. Now imagine this person is a woman, and lives in the UK, a locale as synonymous with hip hop as it is with hardcore death metal (which is to say, not very). This is the monumental task Simbi Ajikawo set for herself at the tender age of 9. After dabbling in the movement and screen disciplines, Ajikawo dedicated herself to rap, donning the moniker Little Simz. 4 mixtapes, 6 EPs, and 1 independently created record label later, Simz has garnered adoration from ravenous listeners around the globe, including some of rap’s biggest names, including J. Cole, Kendrick Lamar, and Jay-Z.

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